YVETTE JANINE JACKSON

Recipient of the 2025 Herb Alpert Award in the Arts

“Any smart Hollywood producer would immediately snap up Jackson to provide film soundtracks, but her work requires no visual explanation.” -The Guardian (John Lewis)

Listen to the Latest Radio Opera ENTF. (BackSPACE)

Broadcast premiere September 5, 2025. Commissioned by Cashmere Radio for Deutschlandfunk Kultur.

Live adaptation of Entf. (Backspace).

ABOUT

 

Yvette Janine Jackson is a composer and sound artist whose compositions have been heralded as “immersive non-visual films” (The Guardian).  A Los Angeles native, Jackson was introduced to the world of tape splicing, analog synthesis, and computer music at the historic Columbia Computer Music Center in New York before designing sound for theatre in the San Francisco Bay Area where she was awarded the first Theatre Bay Area Eric Landisman Fellowship for Designers and the Dean Goodman Choice Award for Sound Design for The Shape of Things.  She blends these experiences into her own aesthetic of narrative soundscape composition dubbed “radio opera.” 

Jackson’s electroacoustic, chamber, and orchestral compositions have been commissioned internationally for concert, theatre, installation, and screen.  Jackson’s projects often draw from history to examine relevant social issues. Her album Freedom is described as “one of the most unique releases to chronicle the Black American experience” (The Wire).  She has composed for Elisa New’s PBS series Poetry in America and Barclay DeVeau’s The Cassandra Project short film trilogy. Recent projects include Hello, Tomorrow! for orchestra and electronics co-commissioned by Carnegie Hall and American Composers Orchestra; T-Minus, A Radio Opera commissioned by the International Contemporary Ensemble; and Extant, an interactive composition for bass clarinet, cello, and game engine at ZKM Center for Art and Media in Karlsruhe, Germany. Her permanent installations Underground (Codes) and Destination Freedom can be experienced at Wave Farm in Acra, New York, and the International African American Museum in Charleston. 

Jackson performs modular synthesizers as a solo artist and formed Radio Opera Workshop to perform her compositions, debuting at the Venice Music Biennale in 2022.  The collective has featured Tommy Babin, Amy Cimini, Tia Fuller, Joy Guidry, Judith Hamann, Dawn Norfleet, Jonathan Piper, Davindar Singh, Esperanza Spalding, Rajna Swaminathan, Malesha Jessie Taylor, and Taiga Ultan.

 

ENSEMBLE & ORCHESTRA

RECORDINGS

Film & TV

INSTALLATIONS

SELECTED MEDIA

A complete list of works and additional audio is available upon request.  Read about recent projects here.

Swan (Excerpt)
Naples Philharmonic - Yaniv Segal, Conductor Atlantic Crossing (Excerpt)
Destination Freedom (Excerpts)
Invisible People Ensemble Ten Thousand Times
Doreen's Aria
Invisible People (A Radio Opera) (Excerpt)

ARTICLES

Yvette Janine Jackson Looks to the Cosmos in Double Bill of Radio Operas at Roulette (Donna Lee Davidson, I Care If You Listen, January 24, 2024)

Because we are black, we are making black music (Hannah Edgar, Chicago Reader, September 6, 2023)

When We Talk About Black History We Must Include Music (D’Shonda Brown, Essence, June 25, 2021)

Does Climate Change Have a Sound? (Alvin Powell, The Harvard Gazette, June 22, 2021)

Freedom Review (Bookmat, March 30, 2021)

Yvette Janine Jackson: Freedom (Kevin Le Gendre, Jazzwise, March 23, 2021)

Best of Bandcamp Contemporary Classical: February 2021 (Peter Margasak, Bandcamp, March 4, 2021)

Yvette Janine Jackson’s Radio Operas are a Conversation Between Past and Present (Vanessa Ague, Bandcamp Daily, February 10, 2021)

Yvette Janine Jackson: Freedom review (Jesse Dorris, Pitchfork, January 29, 2021)

ALBUM REVIEW: Yvette Janine Jackson – ‘Freedom’: two suites of free expression of the Black experience (Chris Sawle, Backseat Mafia, January 20, 2021)

Yvette Janine Jackson: Freedom review – vivid voyage through hate (John Lewis, The Guardian, January 15, 2021)

Freedom: Yvette Janine Jackson as Cartographer of Sonic Expeditions (Donna Lee Davidson, I Care If You Listen, January 18, 2021)

Arias on Identity, Isolation and Fear (Heidi Waleson, The Wall Street Journal, January 13, 2021)

Opera in Our New World (George Grella, The Brooklyn Rail, December 22, 2020)

"Freedom" Album review (The Wire Magazine issue 443, December 8, 2020)

Listen: Yvette Janine Jackson’s Destination Freedom (The Wire Magazine, November 27, 2020)

The Art Gallery in Your Mind’s Ear (Mark Weidenbaum, Disquiet, November 11, 2020)

ListN Up: Yvette Janine Jackson (I Care If You Listen, October 9, 2020)

Music professor composes pieces to immerse audiences in narrative (Manisha Aggarwal-Schifellite,The Harvard Gazette, October 7, 2019)

Yvette J. Jackson to Become Assistant Professor in Harvard’s Music Department (Andrea M. Bossi, The Harvard Crimson, December 3, 2018)

Naples Philharmonic Jazz Readings: Composer Spotlight (SoundAdvice, May 24, 2016)

Composers, mentors, Naples Philharmonic and audience help forge new works (Harriet Howard Heithaus, Naples Daily News, May 27, 2016)

Philharmonic to workshop new jazz pieces (Lindsey Nesmith, Naples Florida Weekly, May 19, 2016)

Jazz composers get first readings with Naples Philharmonic (Harriet Howard Heithaus, Naples Daily News, May 18, 2016)

RADIO & PODCASTS

Historia och elektronik on Elektroniskt i P2 - May 25, 2021

p2_Nov.png

Interview with Helena Lopac for the Elektroniskt i P2 episode "The Invisible Music." - November 19, 2017

Invisible People (A Radio Opera) is discussed on Elektroniskt i P2 - Sunday, October 4, 2015.

Featured in "How sweet the sound -Afroamerikaner och konstmusik" on P1.

Interviewed on Musikmagasinet about Eartha Kitt for P2.

Interviewed on Musikmagasinet about Maya Angelou for P2.